I don’t see a difference between buying a good book and a good record or a print—whatever. They’re all equally important. I think the commerce side of art is so fucked up. You can sell a painting for a thousand dollars and you can put just as much effort into a record and it’s free. I want to wipe [all that] out with [what] I’m doing: here it is, it’s free. It’s not fucking elitist. I don’t care about the standards of what shit should cost. I just want to give it to people as free as I can.
[CLICK HERE] for the full article. It is an amazing read, by one of the people who has been the most indirect influence on my work, Wes Eisold.
I use any film, from shitty supermarket 400 film, through to Ilford Delta 3200 (which I just used in NY for the last two rolls)